Atticus essays

Atticus essays Atticus, a deeply moving novel by Ron Hansen, opens in winter on the high plains of Colorado to the tropics of Mexico, as well as from the realm of whodunit detective mystery to the larger realm of the Mystery, which has its own heartbreaking, calming, and redemptive logic. Misunderstanding, dissolute, prodigal, wayward, wastrel, alias, and subornment are only a few words that tell the powerful story of Atticus. The case was labeled as a suicide. The body was identified as forty-year-old Scott William Cody, a blue-eyed white male. The plot of the book takes three sharp turns. It begins as a conventional novel about the relationship between a father and his troubled adult son. After one character dies, it zigs into a murder mystery, and by the end has zagged into something entirely different, a parable, let's say, in which characters find redemption. Atticus Cody, Colorado cattle rancher turned oilman, appears at first to be a remote and judgmental dad, but as we observe the g entle, persistent concern he shows for his wayward son Scott, we discover nothing less than the ideal dad. Scott's testing of his father's love goes way beyond normal bounds: his alcoholism and general irresponsibility actually cause the deaths of several other characters. Scott's peregrinations take Atticus from his home in Colorado to the slums and bohemian underworld of a Mexican town. There, Atticus confronts a seamy and labyrinthine corruption that tries to separate him from the love of his son. Atticus, the Father, won't let go, and that's the point. In my humble opinion, the message of the book is that an ultimately moving meditation on the ineffable, unmatchable love between a parent and a child should always be a close bond, because you might not have a second chance for reconciliation. Atticus Cody receives a surprise Christmas visit from Scott, his estranged son who has been leading the life of a wastrel expatriate in Mexico. The frictio...

Art in the Modern World essays

Art in the Modern World essays Confusion or Understanding ...That All Depends Modern art can either bring unity and coherence into a fragmented modern world by introducing something that other human institutions fail to do, or it can present tragedy and suffering in an unforgiving light, adding more confusion to the situation. Modernist writers like W.H. Auden seemed to try to uphold the idea that works of art can and should provide unity, coherence, and meaning. Yet, with the evolvement of modernism in the 1930s and 1940s, Dylan Thomas tended to present tragic situations in his poems, often giving way to more disjoint and uncertainty. As major figures in the progressive modernization of literature, both Auden and Thomas moved away from apparent objectivity, a theme once standardized by previous literary figures, and toward subjectivity. While other writers of the era conveyed modern ideas in form and style, such as William Faulkners multiple narrators and stream-of-consciousness format displayed in The Sound and Fury, Thomas and Auden radiated modern tho ught through their ideas and subject matter. Both Thomass The Hunchback in the Park and Audens Musee des Beaux Arts send a clear message to the reader that art can exist in the modern world; however, for each poet, it exists in two entirely different manners. For Thomas, modern art moves away from plain objectivity and towards impressionism and subjectivity, often leaving the reader engrossed in confusion and disjoint. In contrast, Audens idea of art in the modern world surfaces as an attempt to bring unity and coherence into an otherwise fragmented, suffering modern world. It is all too common for modern literary works from the 1930s and 1940s to exude human suffering, and Thomass The Hunchback in the Park is no different. Thomas opens a window into one mans world, letting the reader get a glimpse of a hunchbacks daily life li...